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26—03—30
A jazz-folk record from 1970 finally seeing daylight, featuring Beverly Glenn-Copeland’s ethereal falsetto over a session band that reads like a Canadian jazz legend roster. What makes this worth revisiting now isn’t nostalgia but the peculiar unease beneath the prettiness—the way those vocals seem to float somewhere outside the arrangement rather than settle into it. Glenn-Copeland would later pivot toward synth meditation and proto-techno, but here you catch the restlessness already present, folk and jazz both functioning as constraints he’s subtly trying to escape.