PAMPIG FUNKIG
Você viu só que amor
Nunca vi coisa assim
E passou, nem parou
Mas olhou só pra mimSe voltar, vou atrás
Vou pedir, vou falar
Vou dizer que o amor
Foi feitinho pra darOlha, é como o verão
Quente o coração
Salta de repente para ver
A menina que vem
Voxatone
The concept behind Voxatone is very simple: exploring the sound qualities of vintage instruments with “vox” in their name. The first result is an otherworldly meeting between the 1950s Univox keyboard, the 60s Vox Continental organ and the 80s Soviet Polivoks synthesizer. Recorded at Mazkeka Studios, Jerusalem, with Elia Yakin on drums (the only “non-vox” instrument involved), Shay and Markey are joined by Estonia’s man of many hats, Misha Panfilov, on Vox Phantom bass for two groovy psych cuts: the mid-tempo mind-bender “Figure I.108” and the upbeat floor-stormer “Figure III.122” – on the flip.
Figure I.108/Figure III.122 released on Delights, Jerusalem.
من نحن؟
When continents collide, they make a thunderous sound.
Al-Qasar create the soundtrack to that fission. Arabian fuzz, they term it, a vision that’s brazenly electric and deeply connected to its roots. The band was started in the Barbès neighborhood of Paris by producer Thomas Attar Bellier, who brought together musicians from France, Morocco, Algeria, Egypt, and the United States.
The Greasy Strangler
PLOT: Ronnie runs a Disco walking tour with his son, Brayden. When a sexy woman takes the tour, it begins a competition between father and son for her love. It also signals the arrival of an oily strangler who stalks the streets at night.
money so long
Tune by MNDBD, feed by Bridget Fonda.
Hammer, Anvil, Stirrup
[column class=’column2′]
Track from an upcoming release on Jazzman. Some fuzzy psych Sitar action by a band called ‘The Sign of Four’, formaly known under the moniker ‘Natural Yogurt Band’, i believe. Whatever, out April 1st on 2x10inch. No joke.
The man behind the molam sound
This is the first in a series of compilations on key producers of modern molam music from Northeast Thailand.
[column class=’column2′]
In the 1960s, 1970s and 1980’s, these pioneers created an exciting, electric sound from the centuries-old folk music traditions of the region, releasing groove-laden vinyl gems that sound just as fresh and dynamic today as they did nearly fifty years ago. Up first is the legendary producer Theppabutr Satirodchompu, the man behind the modern molam sound.
Out on Zudrangma Records now.
Awesome Tapes from Africa
[column class=’column2′]
This is music you won’t easily find anywhere else—except, perhaps in its region of origin. But if you are an artist/etc and wish for me to remove your music, email me.
Elementawerk
the vulva underground
Schönes Psych-Mixtape-Video.
[via]