PAMPIG SATANISCH
Martin (1977)
Martin (also known internationally as Wampyr) is a 1977 American psychological horror-slasher film written and directed by George A. Romero, and starring John Amplas. Its plot follows a troubled young man who believes himself to be a vampire. Romero said that Martin was the favorite of all his films.
Purzum
Bad Lieutenant (1992)
The mind is it’s own place,
and in itself
can make
a heaven of hell,
a hell of heaven.
While investigating a young nun’s rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness and redemption.
Stream full movie on archive.org.
Schwarz wie die Erinnerung.
La quête obsessionnelle de vérité d’une mère, alors qu’elle croit voir revenir d’outre-tombe sa petite fille assassinée… Un polar glaçant de Jean-Pierre Mocky, sous la forme d’un cauchemar morbide. Avec Jane Birkin, Sabine Azéma, Jean-François Stévenin et Benoît Régent.
À la fin des années 1970, la petite Garance est enlevée et assassinée dans des circonstances atroces. Dix-sept ans plus tard, sa mère, Caroline, qui a refait sa vie en se remariant et en donnant naissance à deux autres enfants, commence à recevoir des lettres, des coups de fil, puis à voir des apparitions qui lui font croire au retour de sa fille. Une idée folle, qui tourne à l’obsession, qu’elle tente de tirer au clair avec son amie Lucie et le compagnon policier de cette dernière, alors que les signes se font de plus en plus menaçants. Bientôt, de nouveaux meurtres sont commis, tous en lien avec ce passé tragique.
La griffe du passé
Si le nom de Jean-Pierre Mocky est le plus souvent associé à la comédie caustique et bouffonne, son autre genre de prédilection fut sans conteste le polar. Un type de récit obéissant à des codes et des règles différents, mais permettant au réalisateur d’approfondir ses thèmes récurrents. Ainsi de la vision en coupe d’une microsociété renfermée sur elle-même, à la parole étouffée par des secrets inavouables, ou encore son obsession pour l’enfance violentée. Noir comme le souvenir lui donne également l’occasion d’un exercice de style qui semble renouveler sa mise en scène, en s’essayant à une ébauche de giallo, transplanté dans la froideur d’une petite ville suisse. À ce sous-genre italien du film policier, il emprunte le recours à des couleurs vives, à des meurtres graphiques et un certain sadisme teinté d’horreur, voire de fantastique. Bien que réalisé à une époque où sa carrière et ses budgets commencent à décliner, Mocky parvient encore à s’attacher les services de stars inattendues dans son univers, à l’instar de Jane Birkin, habitée en mère traumatisée, et Sabine Azéma, en bonne copine comme échappée d’un film d’Alain Resnais, mais aussi des regrettés Jean-François Stévenin et Benoît Régent, dont ce fut le dernier film.
The Innocents
During the bright Nordic summer, a group of children reveal mysterious powers. But what starts out innocent soon takes a dark and violent turn in this gripping supernatural thriller.
The Innocents (Norwegian: De uskyldige) is a 2021 film written and directed by Eskil Vogt.
Leslie Felperin of The Hollywood Reporter called the film “low-tech, high-tension”, writing that “The lonely, uncanny and sometimes unthinkingly violent world of childhood is explored with chilling candor and exceptional skill”. Jessica Kiang of Variety praised the performances of the child actors as well as the film’s atmosphere, calling the film “both a satisfying genre exercise and a minute observation of the process by which young children acquire morality.” Sight & Sound‘s Anton Bitel wrote that the film “uses its genre frame to show the connectedness, curiosity and cruelty of its young characters, and also asks whether the inevitable loss of innocence at this age is a slate that can ever simply be cleaned.”
Chovu
Chovu are a Black Metal band formed in the one of the most dangerous areas of Nairobi, the slum of Shauri Ya Moyo.
In early 2020 the band was soon split in 2 due to the pandemic curfews and lockdown in Kenya which saw Nairobi become a prison for it’s residents. Lorde Death and Rot found themselves sharing a single room with no windows in an underground dungeon next to the filthy Nairobi river filled with sewerage and rats. Despite the unpleasant surroundings this made a great place to make music undisturbed. Using only a Roland Keyboard amplifier; electric guitar, bass and microphone -recording into their phones – they got down to work composing material for projects in multiple genres not only Black Metal.
Salesmen of the narcotic Khat diurnally, the band led a nocturnal existence like no-other – recording new material nightly aided by liberal consumption of the plant. By the lifting of the curfew the band had produced an anthology of work proportional to a volume of literature from their underground lair.
The band has chosen to resurrect folk tales of the gruesome variety from the various ethnicities within the region. “Mwikali” a tale of a forbidden love triangle, the first release, came out in May 2020 on “Afrometalokalypse Volume 1,” a heavy metal compilation of the who’s who of Kenyan bands of the last decade.
狂った一頁
A Page of Madness (狂った一頁 Kurutta Ippēji or Kurutta Ichipeiji) is a silent film by Japanese film director Teinosuke Kinugasa, made in 1926. It was lost for forty-five years until being rediscovered by Kinugasa in his storehouse in 1971. The film is the product of an avant-garde group of artists in Japan known as the Shinkankakuha (or School of New Perceptions) who tried to overcome naturalistic representation.
Yasunari Kawabata, who would win the Nobel Prize for Literature in 1968, was credited on the film with the original story. He is often cited as the film’s screenwriter, and a version of the scenario is printed in his complete works, but the scenario is now considered a collaboration between Kawabata, Kinugasa, Banko Sawada, and Minoru Inuzuka.
Satanis Theme
Anton LaVey was an American author, musician and the founder of the Church of Satan,the religion of Satanism.