„Biking to the center of Montreal’s 200 acre Maisonneuve Park, I found a quiet spot in the grass and sat down with my guitar and old H1 Zoom microphone. It was a morning in late May, and I was in the midst of trying to finish several projects. Feeling stuck and at a loss of inspiration, I decided to come to the park in an effort to clear my head. I took my guitar out from its case, set my microphone in front of me, and began recording improvised ideas.

I spent the next few mornings there, recording between the sounds of distant sirens and planes flying overhead. Back at my apartment, I improvised some additional woodwind arrangements with the help of a cheap flute and an old leaky Bundy clarinet, and using samples made from these two instruments, I also made flute and clarinet synths which were used on several tracks.

Unsure of what to name the tracks, which were originally labelled “Maisonneuve 1-20”, I decided to write a 20-line poem à la Robert Frost which would serve as the album’s track titles.

The result of this experiment is morning in the park, recorded between Maisonneuve Park and my apartment.”

Her early musical experiences in electronic music were largely self-directed, beginning with use of synthesizers and sequencers to different audiovisual computer and mobile technologies.

Geist’s music builds up a cinematic musical journey around rarefied melodies, arpeggiators, soft beats and space disco. Under the Eva moniker hides the underground polyedric artist Andrea Noce, who previously released a mini-LP last year with David Kristian on Macadam mambo.

This EP includes a wonderfull remix of «Tanz Im Morgenmantel » by Salon des Amateurs head’s Tolouse Low Trax, transposing it in a very subaquatic version, and a sublime artwork by talented artist Maria Torres.