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26—06—10
Two Swedes with a Moog each, locked into what sounds like a negotiation between melodic minimalism and pure synthesis drift. Malmberg’s Mother-32 threads repetitive figure-work while Möller’s DFAM adds percussive friction and unexpected timbral shifts—neither player seems interested in consensus. It’s less about modular showiness than the particular tension that emerges when two people aren’t quite playing the same composition.
Eric Malmberg: Moog mother 32
Ulf Möller: Moog DFAM.
Mastered by Daniel Westerlund