All these
HIP HOP
22—05—18 18:42 CET
Super limited tapes available now for DEXGODs 2020 debut album Buckin Out Tha Gates.
The first solo tape by ODDISY of TID RECORDS.
𓀙
𓀙
𓀙
𓀙
𓀙
𓀙
𓀙
𓀙
22—01—13 18:13 CET
Tony Gallardo
“Selected Works” assembles some of Gallardo’s most crucial material from a run of EPs released between 2008 and 2013.
Out as vinyl of 500, pressed on translucent magenta wax on Nyege Nyege.
20—08—29 14:14 CET
Huntsville Massacre
We Global Massacre Presents Huntsville Massacre Hosted by Comedian DJ George Feat. TamTam, Mike White The Beholder, SupaKingBigPope, FyebeoSolo, Ronaldo Capetti, G-Mane, Michael Villanno, J-Rock Da Sniper, Juju The Promoter, SunFaSho, Hadj, RudiDeville, Lady Lace, Sham, Abrey, Terry & Jerry.
15—03—04 11:54 CET
hip hop vs 16th century
[column class=’column2′]
B4-XVI beforesixteen is highlighting an invisible conversation between hip hop and art before the 16th century.
13—05—21 23:04 CET
Gaaasp
Inoffical video taken from Ghostpoet’s Peanut Butter Blues & Melancholy Jam.
13—01—19 22:57 CET
Lost in Empathy
Track taken from upcoming album ‘Rejovich’ by Rejjie Snow. Video directed by Jamie Delaney.
13—01—04 11:42 CET
Freak This
Video for track ‘Freak This’ from free digital album Lost Kingdom by ‘Dreams’.
12—01—31 10:07 CET
100 Best Beat Tapes 2011
Hip Hop Hypedog hat die 100 besten Beattapes und Instrumental LPs von 2011 gekürt. Teilweise für umsonst sogar. Da sollte man vermutlich mal ordentlich drin ‘diggen’, Digger.
Hypedog Presents: 100 Best Beat Tapes / Instrumental LP’s Of 2011.
11—10—31 11:39 CET
RAJA – Witch
Instrumental Hip Hop vom Feinsten.
Witch is Part II of The October Series, a trilogy of themed mixtapes from prolific 19-year-old New York producer RAJA (formerly known as InfinitiRock).
Billed as a collection of trap beats, Witch is driven by a series of preposterously epic slow bangers like ‘Blank CD,’ ‘Vapor Trails,’ ‘Rituals,’ ‘Make Me’ and ‘Go Back to Sleep.’ But thunderous noddable crunk is not the sole objective of this tape as tracks like ‘Punk (Buster)’ and ‘Ghost Child’ blossom into double time shuffles, expanding the mix.
Sonically, Witch departs from the sampled acoustic instrumentation of Red, opting instead for heavy duty electronics. Distorted sub kicks and churning drum machines, swooning bass synths and processed female vocal exhortations are all juxtaposed with the characteristic fuzz, hiss and crackle of a beatmaker with a penchant for sounding tactility. 30 tracks in total.
