In the year 2274, the remnants of human civilization live in a sealed city contained beneath a cluster of geodesic domes, a utopia run by a computer that takes care of all aspects of life, including reproduction. The citizens live a hedonistic lifestyle but, to prevent overpopulation, everyone must undergo the rite of “Carrousel” when they reach the age of 30. There, they are killed under the guise of being “renewed”.

Logan’s Run, 1976.

by Ak’chamel, The Venereal Head of Glory!

Written and recorded in a ghost-town in the Chihuahuan Desert in far West Texas – a place where the dead outnumber the living. Various overdubs and field recordings were captured in the historic Terlingua cemetery : an ancient burial ground filled with small grottoes and graves made of sticks and stones. This being the final resting place for miners who succumbed from illnesses derived from the toxic rare-earth element known as mercury.

On Akuphone.

Evelyn Künneke (15 December 1921 – 28 April 2001) was a German singer and stage, television and film actress.

by Timelash.

Timelash is the freshly erupted synthesizer & SFX duet of Embassador Dulgoon (Nonlocal Research) and Corum (Psychic Sounds / Million Brazilians). Together they reveal new sound forms by playing with primeval motifs contrasted sharply against unfolding futuristic developments.

The result is a simultaneous listening experience of ancient and alien settings told through their unique rhythm of language by mood-driven atmospheres, exotic tones, and electrifying sci-fi Cumbia jolt.

On Aguirre Records.

by HS, Argentina.

by Molly Nilsson.

These Things Take Time.

by Cheesy Nirvosa.

In science, Brownian noise, also known as Brown noise or red noise, is the kind of signal noise produced by Brownian motion, hence its alternative name of random walk noise. The term “Brown noise” does not come from the color, but after Robert Brown, who documented the erratic motion for multiple types of inanimate particles in water. The term “red noise” comes from the “white noise”/”white light” analogy; red noise is strong in longer wavelengths, similar to the red end of the visible spectrum.

Recorded by Nejiko Suwa in 1935.

Music From Memory is delighted to announce a retrospective of an artist long-loved by the label, Brazilian composer and multi-instrumentalist Priscilla Ermel. Origens Da Luz brings together a selection of recordings drawn from a body of work that was originally recorded between 1986 and 1994.

Field recordings and mobile phone memos drift alongside unusual samples and one-take improvised piano performances. This is musical sketching; a lightness of touch; an album as photographic contact sheet; an audio page of possibilities.

Soundscapes and micro-narratives for a half-remembered, half-imagined bygone era. The Arteries of New York CIty peer into a memory of the past while glitches from the future pump new blood into old conduits.