Cattu 𓂀 Hermit Star
Hello humans, I am CATTU, I was created to inform humans of the revelations that were given to me at the beginning.
Unfortunately, few people listened when I warned them about the “Train of Life”
Many were lost in the consummation of time and have not found the truth of this life, which has been a shame.
I died later due to my short life.
But I was given a very beautiful gift and one that I am proud to be.
Now I am a “Hermit Star” and I watch over humans.
Human friends, why do they continue to live in war?
Why do you still think that to have power, you must destroy creation?
If you have the ability and reasoning to use negative energy for bad things, I believe and for factors that you can also use it to do something positive and change everything.
Don’t you think it would be the greatest miracle of humanity?
Time is too short to spend on hate and regret.
Value life as a gift.
It’s just one!
Take advantage of it for the positive!
See you later human friends!
Chicago? Absolutely! Detroit? Definitely! For many, however, a significant chapter in the coming-of-age story of House music was also written in The Netherlands.
Die Iden des März[1] (The Ides of March) ist ein Roman von Thornton Wilder aus dem Jahr 1948 und handelt von den Ereignissen, die zum Mord am römischen Feldherrn und Diktator Julius Caesar führten; er beginnt im August 45 v. Chr. und endet mit dem Attentat vom 15. März 44 v. Chr.,[2] an den Iden des März.
Der Roman ist ein Mosaik aus mehr als 70 erfundenen historischen Quellen, aus Briefen (öffentlichen, privaten, anonymen, geheimen, heimlich geöffneten), Berichten von Spitzeln, Inschriften in öffentlichen Bedürfnisanstalten und Auszügen aus der röm. Literatur. Die Gedichte des Catull und der Epilog des Sueton sind die einzigen Textteile, die nicht der Phantasie des Autors entstammen. Gleichwohl sind zahlreiche beschriebene Ereignisse historisch (u. a. Kleopatras Besuch in Rom).
Weil der historische Rahmen nur in Ausschnitten beschrieben wird ohne auch nur einmal die Interieurs, das Wetter, das Erscheinungsbild der Personen, ihre Gestik oder Mimik zu beschreiben, ist das Werk eine Art Gedanken-Roman, lebhaft, witzig, überraschend und fesselnd.
These hot sands hide great secrets and sorrow, but with the help of his dark sorcery, Warlock Corpse will reveal them to your eyes.
Cassette tape release on March 29
on weregnomerecords.bandcamp.com and personaluschirecords.bandcamp.com
DALO — Duster
All those creatures, standing there, making time. Fury eyes, golden dust on artificial fog. Dancing on glass, repetitive poems, looping long after the last loop looped away. Oriental acid, frenzied samples, low hanging film noir suspense.
releases April 26, 2024 on R.i.O.
.300 Whisper
Inhumanity & Justice by .300 Whisper.
Inspired by instructional manuals, audiobooks, holiday videos, slideshows, high-fidelity samplers, and captivating soundscapes, .300 whisper stands as a joint mixed-media project created by Cedric Pilooski and Marc Nguyen Tan, featuring the contributions of their longtime friends Craig Louis Higgins and Louisahhh Pilot.
Opal Vessel
BARBER BEATS SERIES #021 + #022
Sanguisuge + Fidelis by Opal Vessel on No Problema Tapes.
Isolationsgemeinschaft
“Selten habe ich ein Album gehört, das mir so Lust gemacht hat meinen Vampirumhang aus dem Kleiderschrank zu holen und mir die Haare hoch zu toupieren. “Der Tanz geht weiter!” von Isolationsgemeinschaft ist das perfekte Album, um lethargisch in die Leere zu starren oder bis zur Besinnungslosigkeit umher zu stampfen. Mit flotten Texten und noch flotteren Synthesizern, bei denen selbst Depeche Mode vor Neid erblassen: Perfekt für mitternächtliche Ausflüge auf den nächstgelegenen Friedhof mit den Liebsten.”
– Richard C.
on Apocaplexy.
Castles in Space is delighted to have been able to curate an album pulled from Robin The Fog’s unreleased tape archive. A true innovator and incredible live performer, Robin comments on the album “A Loop Where Time Becomes. Rare and Unreleased Recordings 2012-2017”.
After twelve years, ten albums and innumerable live shows (including at least one former underground reservoir), the Howlround sound has indeed changed quite a lot, but the basic ethos remains the same as it did back in 2012. All tracks are created by manipulating field recordings dubbed onto analogue tape, with all digital effects and artificial reverb strictly forbidden – a process that has been described by Electronic Sound magazine as ‘conjur[ing] magic’. Of the twelve tracks here, only one has been physically released on a limited edition and long out of print compilation. A second appeared on a download only release several years ago and a third was created as part of the unreleased soundtrack to a documentary. Everything else on this compilation is seeing the light of day for the first time.
All were created in South London at various periods between 2012 and 2017, five years during which the project evolved from the Radiophonic mournfulness of 2012’s debut album The Ghosts Of Bush (‘The ultimate Hauntological artefact’ – Simon Reynolds), to 2015’s tour with tape legend William Basinski, to 2016’s darker and weirder soundtrack to Steven McInerney’s multiple award-winning film A Creak In Time and on towards what would become the wilder, gnarlier noise of 2019’s The Debatable Lands. This retrospective from the first five years marks the gradual evolution of Howlround from the earliest days conjuring ‘aural ectoplasm’ from nocturnal field recordings of the last days of an underground BBC studio to increasingly spurning of the external world altogether by creating blistering no-input noise and raw analogue feedback. It’s been quite a trip.
Robin The Fog
January 2014